The ES-175 ditto, and it was both a bit smaller and of a laminate - as a "almost always played electric" instrument compared to the larger solidtop archtops that could and would, in that era, be played as acoustics. Your Casino is more likely to feed back than a similar size and equipped "Dot" for that reason, regardless of pickups.įor what it's worth, that's also why most thinbody electrics, with or without the solid block in the middle, are made with laminated woods that are less likely to feed back than most solid woods. That brought the "semi hollow" guitar with a block under the bridge, one way or another, that would help to keep the guitar body/strings from vibrating along with the sound from the amplifier. Hollowbody guitars of all kinds are more likely to feed back than solidbodies that tend to dampen the potential of feedback. Flattops tend to feed back more - and note that recently flattop AE guitars tend to have a "phase" switch, and there also are controls on AE guitar amps that are designed to lessen that feedback. That is what, in the late 1940s and through the '50s brought new kids of guitars. Since there is less dampening in a hollowbody (or flattop) due to how it is built, it is more likely to feed back. The sound from the amp will bring vibration of the strings and body of the guitar. The feedback issue is true of all "electric" and "Electric-acoustic" guitars to an extent. But it's also a hum that I think your guitar may be picking up a bit extra either due to "feedback" (the guitar vibrating at the frequency of the hum as it nears the amp) or the wiring and sensitivity of the amp. You're talking about, it seems, the 60-cycle hum.
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